free Sunday digest of the week’s most fascinating and inspiring articles across art

free Sunday digest of the week’s most fascinating and inspiring articles across art

They seem incompetent at the stuff that is over-and-above. I do believe maybe it continues on within their heads while they read however they are not capable of catching it. These are generally too directly intent from the reading. They cant get started looking two ways at a time. I think too these are typically afraid of the simplicity of numerous things they believe on the side while they read. They wouldn’t have the face area in order to connect it on paper using the great author they have been reading. It may be a childhood memory; it might be some homely simile; it may be a relative line or verse of mother goose. They desire that it is bookish and big. Nevertheless they haven’t books enough in their heads to fit book stuff with book stuff. Needless to say several of that would be all right.

Indeed, in many ways Frost’s advice on essay-writing is truly suggestions about reading — that mutuality of thought between reader and writer, pulsed through because of the written book as “a heart that only beats when you look at the chest of some other.” Echoing Virginia Woolf’s dictum on how best to read a written book, Frost offers counsel so passionate that it becomes almost a stream-of-consciousness prose poem, barely punctuated:

The game is matching your author thought for thought in any of the many ways that are possible. Reading then becomes converse — give and take. It is only conversation when the reader takes part addressing himself to anything more within the author inside the subject matter or form. In the same way once we talk together! Being careful to carry up our end and also to do our part agreeably without too much contradiction and mere opinionation. The smartest thing of all is going each other one better piling up the ideas anecdotes and incidents like alternating hands piled up regarding the knee. Well its out of conversation like this with a novel which you find perhaps one idea perhaps yours possibly the book’s that will discount aid for any other lesser tips to center around. And there’s your essay.

He lands from this poetic elation into some advice that is practical

Be brief at first. You have to be honest. You don’t want to produce your material seem a lot more than it is. You won’t have a great deal to state to start with while you shall have later. My defect is within not having learned to hammer my material into one lump. We haven’t had experience enough. The facts of essay won’t come in right they will in narrative for me as. Sometimes We have gotten round the difficulty by some dodge that is narrative.

Take it easy using the essay anything you do. Write it as well if you have to write it as you can. Be as concrete as the law allows in it — concrete and experiential. Don’t allow it to scare you. Don’t strain. Understand that any old thing that takes place in your thoughts you want as you read may be the thing. If nothing much seems to happen, perhaps another reading shall help. Perhaps the book is bad or perhaps is not your kind — is nothing to you and can begin nothing in your nature one way or another.

He interjects a meta-remark from the nature naturalness and — regarding the essay form:

Needless to say this letter is essay. It is material that has come to the top of my mind in reading in the same way frost brings stones to the surface of this ground.

During the very end, before signing off “Affectionately Papa,” Frost can’t resist taking a little jab at the essay, voicing the sentiment that appears to explain his or her own lifelong resistance to partaking in the genre:

I don’t know you realize whether its worth very much — I mean the essay — when you have it written. I’m rather afraid from it as an enemy to the really creative writing that holds scenes and things within the eye voices when you look at the ear and whole situations as a kind of plexus within the body (I don’t know just where).

Lesley spent my youth to be an author herself, albeit not of essays — she published two books of stories for the kids: Really certainly not in 1962, published mere months before her father’s death, and Digging right down to China in 1968.

The Letters of Robert Frost Continue reading “free Sunday digest of the week’s most fascinating and inspiring articles across art”